http://whoistesting.com Photography, styling, hair and make up for fashion, beauty and lifestyle images. Sun, 05 Feb 2012 06:37:00 -0500 Sun, 05 Feb 2012 06:37:00 -0500 en http://whoistesting.com/wit.png http://whoistesting.com http://whoistesting.com/list.php?showID=1792 Wed, 01 Feb 2012 20:11:54 -0500
Rossella Vanon - photographer Finding professional, creative minds to produce outstanding editorial work.]]> http://whoistesting.com/list.php?showID=1792 http://whoistesting.com/list.php?showID=1795 Wed, 01 Feb 2012 18:35:11 -0500
Charlotte Yeomans - hair and make up artist I would love to expand my portfolio and work with likeminded ambitious creatives on submissions and test shoots. Looking to expand my knowledge and be inspired.]]> http://whoistesting.com/list.php?showID=1795 http://whoistesting.com/list.php?showID=1771 Wed, 01 Feb 2012 14:42:59 -0500
Johana Kim - photographer I am a photographer based in London. My work is about passion and inspiration. I look to collaborate with people who can share a vision and work together to create an image.]]> http://whoistesting.com/list.php?showID=1771 http://whoistesting.com/list.php?showID=1757 Wed, 01 Feb 2012 11:55:36 -0500
Sophia Constantine - hair and make up artist Looking to build up my portfolio and collaberate with experienced photographers and stylists to create high- end fashion, editorial and beauty images.]]> http://whoistesting.com/list.php?showID=1757 http://whoistesting.com/list.php?showID=1779 Wed, 01 Feb 2012 09:52:39 -0500
Emily Mergaert - make up artist To collaborate with other photographers, stylists for editorial submissions and creative projects]]> http://whoistesting.com/list.php?showID=1779 http://whoistesting.com/list.php?showID=1788 Tue, 31 Jan 2012 08:55:12 -0500
Vanessa Collins - make up artist I've just arrived back in London from Sydney Australia and would love to meet new photographers, stylists and hairstylists to collaborate with while I'm here.

I also do basic hairstyling as well as nails.

Please note my agency is Sydney based.]]> http://whoistesting.com/list.php?showID=1788 http://whoistesting.com/list.php?showID=1778 Tue, 31 Jan 2012 08:25:48 -0500
Fran Lee - stylist Stylist who has moved into childrenswear looking to test...]]> http://whoistesting.com/list.php?showID=1778 http://whoistesting.com/list.php?showID=1711 Mon, 30 Jan 2012 23:40:20 -0500
Charlotte Bibby - photographer I work with top London agencies and am getting published in published and online magazines. I'm looking at working with similar-standard creatives for testing and editorial work.]]> http://whoistesting.com/list.php?showID=1711 http://whoistesting.com/list.php?showID=1756 Mon, 30 Jan 2012 22:08:41 -0500
Andree Marie Ettien - hair stylist Looking to test with great creatives for submissions.]]> http://whoistesting.com/list.php?showID=1756 http://whoistesting.com/list.php?showID=1708 Mon, 30 Jan 2012 22:02:51 -0500
Amanda Littler - photographer Looking to collaborate and test with other creatives. I am expanding and updating my portfolio and working on various submissions.]]> http://whoistesting.com/list.php?showID=1708 http://whoistesting.com/list.php?showID=1775 Mon, 30 Jan 2012 21:37:15 -0500
Hanna Kristina - photographer I want to meet new creatives to make portrait, and fashion editorials.]]> http://whoistesting.com/list.php?showID=1775 http://whoistesting.com/list.php?showID=1720 Mon, 30 Jan 2012 21:35:59 -0500
Emily Dhanjal - make up artist To meet new creative teams and people. To gain more published work.]]> http://whoistesting.com/list.php?showID=1720 http://whoistesting.com/list.php?showID=1739 Mon, 30 Jan 2012 21:34:07 -0500
Christine Kreiselmaier - photographer I am currently updating my portfolio and want to actively work on submissions together with other creatives, i.e. stylists, muas, hair stylists and designers.]]> http://whoistesting.com/list.php?showID=1739 http://whoistesting.com/list.php?showID=1727 Mon, 30 Jan 2012 21:32:53 -0500
Gareth Rhys - photographer Looking to work with likeminded creatives on editorial shoots for submission, as well as test shoots etc. Currently looking to shoot with some great stylists, hair stylists and make-up artists.]]> http://whoistesting.com/list.php?showID=1727 http://whoistesting.com/list.php?showID=1710 Mon, 30 Jan 2012 21:32:20 -0500
Merry p - photographer Looking to work with inspired and driven creatives of all sorts on submissions, stylists in particular.]]> http://whoistesting.com/list.php?showID=1710 http://whoistesting.com/list.php?showID=1786 Mon, 30 Jan 2012 21:24:10 -0500
Liam Arthur - photographer To contact other creatives to create tests and submissions x]]> http://whoistesting.com/list.php?showID=1786 http://whoistesting.com/list.php?showID=1774 Mon, 30 Jan 2012 14:51:31 -0500
Pace Chen - hair and make up artist looking to collaborate with other fashion creatives. expand my experiences, network and build up portfolio.]]> http://whoistesting.com/list.php?showID=1774 http://whoistesting.com/list.php?showID=1763 Tue, 24 Jan 2012 18:16:41 -0500
Apple Sebrina Chua - photographer Would love to meet creatives from other parts of the world with a simple purpose - to create beautiful and inspiring pictures.]]> http://whoistesting.com/list.php?showID=1763 http://whoistesting.com/list.php?showID=1714 Mon, 23 Jan 2012 12:37:30 -0500
Pascale Recher - make up artist Realy eager to get some new beauty shots and always happy to test for fashion/portrait shoots as well.]]> http://whoistesting.com/list.php?showID=1714 http://whoistesting.com/list.php?showID=1734 Mon, 23 Jan 2012 11:46:18 -0500
Holly Barber - stylist Looking to push my portfolio forward and get my work published.

Would like to meet other creatives who are willing to push boundaries and do things a little differently!]]> http://whoistesting.com/list.php?showID=1734 http://whoistesting.com/list.php?showID=1729 Mon, 23 Jan 2012 08:15:06 -0500
Lucie Oliver - hair and make up artist No one is ever too established to test & stay creative.
Looking for photographers to add a new style to my book.

Please get in touch.

Thanks

Lucie]]> http://whoistesting.com/list.php?showID=1729 http://whoistesting.com/list.php?showID=1764 Sun, 22 Jan 2012 20:30:56 -0500
Dorota Staniszewska - make up artist To congregate with other accomplished artists]]> http://whoistesting.com/list.php?showID=1764 http://whoistesting.com/list.php?showID=1702 Sun, 22 Jan 2012 20:12:09 -0500
Lucy Jayne Parker - make up artist I am looking to create some amazing new images by working with new photographers, stylists and hair stylists in the New Year.

Happy to travel!]]> http://whoistesting.com/list.php?showID=1702 http://whoistesting.com/list.php?showID=1766 Sun, 22 Jan 2012 19:22:27 -0500
anne veck - hair stylist I am always looking for like minded people to work with who will stretch my limits and help me create beautiful images for my portfolio.]]> http://whoistesting.com/list.php?showID=1766 http://whoistesting.com/blog_article.php?blogID=26 Fri, 20 Jan 2012 07:53:09 -0500
Too good to be true? Unfortunately there are some emails doing the being sent to people listed here with an offer of work. Yet the wording is very similar to advance fee fraud http://en.wikipedia.org/wiki/Advance-fee_fraud that pop up from time time.

Poorly written and with an offer that sounds just a bit too good to be true.

Just delete.]]> http://whoistesting.com/blog_article.php?blogID=26 http://whoistesting.com/blog_article.php?blogID=25 Wed, 18 Jan 2012 14:14:45 -0500
Considering a low or unpaid commision? Should you consider a low or unpaid commission?

Generally no, if a picture (or video now) is worth publishing it is worth paying for.

But fashion photography is a heavily oversubscribed industry and there is a lot of pressure for people to undertake unpaid work.

So ask these questions:

Is it an editorial for a magazine of sufficient influence and quality that the stylist on the shoot can pull pretty much any brand they want?

Can you source models from a recognised agency and having discussed with them the use get them to work unpaid?

Get a "yes" for both of those and it could be worth considering. Get just one "no" and that is your signal to charge a proper rate.

But before you rush in, just check if there are any ominous terms that you would be agreeing to. Copyright grabs being just one example. If you are not sure what is good or bad within a contract seek advice such as http://www.own-it.org/]]> http://whoistesting.com/blog_article.php?blogID=25 http://whoistesting.com/blog_article.php?blogID=23 Wed, 04 Jan 2012 17:05:07 -0500
Welcome to 2012 Ready for 2012?]]> http://whoistesting.com/blog_article.php?blogID=23 http://whoistesting.com/blog_article.php?blogID=22 Mon, 10 Oct 2011 09:22:46 -0400
Types of work Advertising, editorial and commercial - terms that are used to differentiate both the style of images and how they are used.

Commercial
Loose term that could simply mean any paid work.
Can also refer to a style that is less esoteric and more day to day.

Editorial (usage)
Shoot or image use commissioned by a newspaper, magazine or website. In fashion (only) pay is often inversely proportional to the kudos of the publication. However unpaid or expenses only offers on the basis of good exposure should be viewed with extreme scepticism. Fashion photography is unusual in being the only area where editorial is considered a means to an end rather than a goal in its own right.

Editorial (style)
Images where the photography, styling or appearance of a model it is considered cutting edge, extreme or quirky but may simply be less polished than a similar advertising shoot.

Advertising (usage)
Shoot or image used to promote a product, brand or service. In the case of magazines etc placement is paid for by the client and is therefore assured (unlike PR). This kind of use typically attracts the highest rates of pay for the photographer and team.Advertising (style)Often the most opulent images presented, due in part to the budgets available. The style is often such that there is no doubt which of several elements in the shot is the advertised product. However it may present a lifestyle that is supported by the product or brand.

Advertorial (usage)
An advertising shoot created to match the style of a publication so it may take the appearance of an editorial feature or review. Pay rates should be closer to those of advertising than editorial.

PR (usage)
Press Release or promotional images shot to be distributed by the client or their agency to publications. Placement is not guaranteed. Rates, although higher than editorial, are lower than advertising.

Speculative work
Any work that is undertaken for a specific client (including editorial) where payment is conditional on use is considered speculative. It should be avoided.]]> http://whoistesting.com/blog_article.php?blogID=22 http://whoistesting.com/blog_article.php?blogID=21 Sat, 01 Oct 2011 10:08:11 -0400
Working Practices How you work and the way the resulting images are used can have a significant impact on the way you are paid.

Here a a few common terms to help you though this.

Please be aware that the terms below may subject to differing interpretations - you are strongly advised to clarify the details to avoid costly misunderstandings.

Commission
Any work where a client requests you to shoot for them. The brief, payment and usage terms to be agreed prior to the shoot. Although the fee will be determined by the terms of use is it not conditional. In the majority of cases, this is what you should be aiming for. The work is requested, you deliver, you get paid.

Shooting for stock
Images may be submitted to stock agencies or libraries who will then supply them to clients. More common for non-fashion work.
You will have limited, if any, control of who uses the image, in what way or for how long. It is vital that everyone involved in the shoot is fully aware of this and agrees in advance. Ensure model releases/booking forms are in order. Some parties may refuse such open terms.
The end client may be purchasing a licence with rights managed or a royalty free agreement. Be sure you are aware of the implications of each method as the differences are significant and at times controversial.

Speculative Work
Typically relates to work undertaken for a specific client but where payment is made conditional on some aditional factor. The client request would be "shoot it, and we will pay for it if we like or use it". This practice should be avoided.

Submission
Work shot for editorial use but without a commission in place. Images are then presented to one or more magazines/websites for consideration. Be cautious as this can fall under the category of speculative work (see above).]]> http://whoistesting.com/blog_article.php?blogID=21 http://whoistesting.com/blog_article.php?blogID=20 Mon, 15 Aug 2011 11:42:46 -0400
Tests and Usage What follows should be considered as a guideline only. It does not provide legal definitions, but simply common understanding of the terms. In otherwords, make your own agreements with all concerned and stick to them. If you are not sure of the legalities involved you could start by visiting http://own-it.org

Yeah, we know everyone is clamoring over each other to get the best images in their books. But sometimes you need to just ask 'at what cost?' and with what restrictions?

By all accounts a 'test' refers to usage terms that are along the lines of: For direct personal promotion, portfolio, compcards and agency books/websites ONLY.

You will also see the standard term in model agency terms: TEST AND EXPERIMENTAL PHOTOGRAPHY The photographer is not entitled to use test and experimental photographs for commercial purposes unless specific arrangements have been made with the agent before the photographic session.

Remember that the buck stops with the photographer - as copyright owner on all images they are the ones with final responsibility for the use of any pictures, with the additional burden that it is they who will take the flack in the case of any unauthorized use.


No Client Involvement
Anything relating to testing only applies when there is no one involved in the shoot other than the creative team plus models - so as soon as there is anyone that could be viewed as a client (even if they claim not to be) forget the idea of 'test' and price it as a commercial or editorial job depending on the usage.


Not Testing
Small client who does not have much budget. Call it what it is - a paid shoot with little or no budget, then decide whether you want to do it or not.
A client asks you to shoot an idea on the basis that if they like the results they will hire you for the next job. You should charge for this situation,
You are asked to shoot but will only get paid if the images are actually used. This is called speculative work and should always be avoided.
Direct personal promotion means just that - you can use those pictures to promote yourself , and only by the methods mentioned.
It doesn't allow promotional use for anything else you might be involved with So if you are also running, say, a shop or salon you can't use the pics to promote that without permission from everyone involved - and they are well within their rights to either ask for payment or even say no.
Likewise no putting the images from a test onto record covers for those models turned singers, or theatre posters/programs for actors - again thats commercial use and you need to get permission and cross a few palms with gold. Magazine features are also out unless agreed in advance.
Don't use pictures as bribes!
Its all too easy to get sucked into a deal where some fabulous location (hotels and bars are the main ones here) will let you shoot in their venue in return for some of your images. Designers may also suggest that giving them photographs in return for use of their clothes is a fair swap. If they want to put them in a portfolio - all well and good.

However, if those pictures end up being used as PR shots, or in paid advertisements you are in trouble. At the very least you are being ripped off. In the case of locations, their fees are ALWAYS going to be less than the usage rate for PR or AD use for the same location (ie they should be paying you).

Worse, you could also find yourself liable for paying off everyone involved - and you might be surprised at what photographers and model agencies normally charge for commercial use if you have only ever worked on tests.


Students beware or beware of students?
There are horror stories of colleges asking students to sign over copyright in their course work. This can lead to a number of problems. For the students themselves it means you won't get paid if those images are used commercially. Worse, you won't have control over those images. Colleges have been known to subimit students work for publication even though the models used were booked as a test. This use is outside the terms of a test and the photographer becomes liable for a hefty bill.

Remember too that if you are working with fashion student collections normal copyright law applies, even if the student has signed over their rights to their work (the clothes) the photographer still owns the copyright of the photographs.


TFP or TFCD
The description TFP or TDCD also appears regulary online. In this case one or more of the parties are deemed to be paid by the photographer rather than working on a shared collaboration, with payment being in prints or images on CD - which clearly have value. If you are being paid it is reasonable for the model to sign a release and expect the photographer to sell those images. If you are not happy with such an arrangement don't enter into it!]]> http://whoistesting.com/blog_article.php?blogID=20 http://whoistesting.com/blog_article.php?blogID=19 Mon, 25 Jul 2011 10:06:42 -0400
Sayings and things A few modern day proverbs to help you on your way. Interpret them as you will.


The more you tell people your goals the less likely you are to achieve them.

No good deed goes unpunished.

A fool learns from his own mistakes, a wise man learns from the mistakes of others.

Vision without action is a dream. Action without vision is a nightmare.


A tale:
Once upon a time , an old man was sitting at the turning to his town. A younger man approached him.

"Hello" said the younger man. "i'm looking for a new home. Could you tell me what the people in this town are like please?"
"First tell me what the people were like in the town you have just come from" said the old man.
"Well, they were rude, impatient, and didn't really care for anyone but themselves" said the young man.
The old man shook his head. “I’m afraid you will find the people here are just the same.”
The young man turned and went the other way.

A little while later another young man approached.
"Hello” said the younger man. "i'm looking for a new home. Could you tell me what the people in this town are like please?"
"First tell me what the people were like in the town you have just come from” said the old man.
"Oh, they were warm and kind, they would always help each other"
The old man smiled "I think you will find the people here are just the same"
The young man continued into the town.]]> http://whoistesting.com/blog_article.php?blogID=19 http://whoistesting.com/blog_article.php?blogID=18 Sat, 16 Jul 2011 14:44:30 -0400
How to make more money when freelance. A few tips to help make more money.

send more invoices
send larger invoices
spend less money
take less time doing it

How you achieve that is obviously not easy. Start by considering how any given decision you face could be used to improve one of the statements above.
Will buying some new item really mean you get more work and therefore lead to sending more invoices?

Would training give you skills that will result in sending larger invoices?

Can you delay buying something until you have got the job that requires it rather than spending money in the hope that it will get you work?

You will often have to balance one against another: paying someone else to do your admin/retouching/returns makes financial sense if the time saved can be used to do the work that lets you send more invoices.

If you feel overloaded with work but can not afford to pay someone to do some of it you are probably not charging enough.

Time taken on activities that are not billable should be to cut down as much as possible. Meetings, phonecalls, tidying your desk/studio/bags/website again all cost you time and therefore money. This is irrespective of how many times you say to yourself, and everyone else via your blog/Twitter, that you are hard at work.]]> http://whoistesting.com/blog_article.php?blogID=18 http://whoistesting.com/blog_article.php?blogID=17 Mon, 04 Jul 2011 17:06:45 -0400
Boys by Girls Two photographers, Cecilie Harris and India Hobson, instigated the Boys by Girls concept. Take a look at it here:
http://www.boysbygirls.co.uk/

As well as being listed on whoitesting you can find their individual websites at:
http://www.cecilieharris.co.uk/
http://www.indiahobsonphotography.co.uk

There is also the shoot of the band who provided the music for the video that accompanies this rather splendid project
http://www.boysbygirls.co.uk/index.php/news/the-dandies-dudes-of-rock]]> http://whoistesting.com/blog_article.php?blogID=17 http://whoistesting.com/blog_article.php?blogID=16 Fri, 03 Jun 2011 11:45:35 -0400
Modelling Advice Some advice for would be models
The internet is great for many things, unfortunately there are a number of scams, and a lot of false information about modelling on various websites. Read the information below, it should give you a starting point. You can also visit http://www.themodelshandbook.com/ and http://www.albamodelinformation.com/ for more advice.

This guide has been written from a UK perspective, hence the spelling modelling rather than modeling (US) and the use of UK sizes, however most of this advice is equally valid internationally if you change London for the appropriate major city.

Get with an agency
The first thing to realise is that if you are serious about a career in modelling you need a good agency. A good real world agency will market you as a model and help you with a lot of your business matters. However, they will also be brutally honest: an agency will only take on those models who they think will get work. If you have received rejections from many agencies then it's probably time to look for a different career.

Size matters
As a rough guide, for fashion work girls should be aged 15-21, be at least 5ft8in tall and size 8-10 with clear skin and THAT look. Guys should be 6ft tall and can be a bit older. Exceptions do happen but they are VERY rare. (NB UK sizes)

Location-Location-Location
You should also be near the work, and for UK models that means London, or at least willing to relocate. There are some agencies in other UK cities but the amount of work available is limited, with promotions type work being more common.

The first steps
Call a number of agencies, there are links to some here or for contact the Association of Model Agents 020 7584 6466. Ask what their requirements are for new faces. The general rule will be to either send in a selection of good clear snap shots and your measurements (don't lie about your stats, you will be measured) or to pop in during an open call where would be models can turn up at the agency and be seen.

You don't need professional pictures at this stage - clear snap shots or polaroids taken with no make-up on are best.
Do remember that different agencies will favour different looks so you may find that although one agency turns you down, another may snap you up right away. But if you find you keep getting rejected then perhaps modelling is not for you.

Testing & Portfolios
Models need portfolios. To get started the agency will take a set of polaroids, plain and simple. These are then photocopied and become your first comp card. You will then need to test. Shoots are arranged with photographers approved by the agency as a means of building your portfolio. You will often be expected to pay towards the cost of testing. This may only be the cost of the prints or there could be a small additional fee. Your portfolio(book) will be built up slowly, generally one or two prints from each shoot, tear sheets from published work when available.

Avoiding scams
There are unfortunately a number of scams waiting to part would be models from their money. Spotting them, while easy for those with experience is not so simple to describe.

A few pointers:
Beware of agencies advertising for models especially in local papers or on the internet. The demand is such that the good ones don't need to as they will already have plenty of potential models applying directly, or they prefer to scout themselves. When major agencies do launch model searches it will be on a much bigger scale, and usually in conjunction with a national magazine.
No height or size restrictions - Any agency who claims to have no restrictions on height or size is not working in fashion. Be very cautious of anyone who tells you that anyone can be a model.

Ask for a list of clients - this should be backed up with examples of the work that agency booked models for. Beware of scam agencies who cover their walls with magazine covers featuring well known models who they have no connection with. Good agencies are always keen to boast about their clients - its a measure of the success of both them and their models. Beware of any agency that is not open about their clients.

Registration or Scouting fees / Modelling Schools / Classes - don't pay, just go somewhere else. Likewise avoid companies who claim not to be agencies but offer a scouting networks or service.

Portfolios & Comp cards. A tricky one to describe because you may be asked to pay (legitimately) towards these items. Some agencies will advance these costs against future earnings but this is not always the case.

Warning signs would be "one payment, your whole portfolio provided" often with very poor quality work, or where all the pictures are taken by the same photographer. Also avoid any situation where the 'agency' makes spending money (for anything) a condition of joining.

TFP / TFCD
Not actually a scam but from often a waste of time. Be very critical about the quality of pictures as most offers are not of a style or standard that will actually benefit a would be model in the fashion world. Also consider where they may end up being used. Unless you have a signed contract you will not be able to stop the pictures being published and they could even damage your career.
TFP/TFCD can have it's uses though. It can be a viable way to work with a photographer who would normally only shoot you if you are paying them. By signing a model release to allow stock library sales they may waive their normal fee. In return you are not charged for the shoot and a limited selection of images/prints. If you are with an agency or are in anyway uncertain of the workings of image libraries you should seek advice before agreeing to such a shoot on these terms.

Portfolio pictures should look like they have been pulled straight out of a quality fashion magazine. Check out some of the work elsewhere on this website for examples of the quality required.]]> http://whoistesting.com/blog_article.php?blogID=16 http://whoistesting.com/blog_article.php?blogID=15 Thu, 02 Jun 2011 15:00:00 -0400
UK Model Agencies We have complied this list of UK model agencies or management companies based on recommendations from the people we list. Whoistesting.com does not accept requests from agencies themselves.
For models considering applying to an agency we have an advice post that you may find useful. See http://whoistesting.com/blog_article.php?blogID=16

London Fashion and Commercial Agencies
http://www.amckmodels.com/ - amck - 0207 524 7788
http://www.bookingsmodels.co.uk - Bookings - 020 7033 2110
http://www.crawfordscommercials.co.uk/ - Crawfords - 020 8947 9999
http://www.d1models.com/ - D1 - 020 7490 8009

http://www.elitemodellondon.co.uk/ Elite London - 020 7841 3288
http://www.evolutionmngt.com/ - Evolution - 020 7053 2128
http://www.excel-models.com/ - Excel (12 ) - 020 7336 6374
http://www.firstmodelmanagement.co.uk/ First - 020 7436 9095

http://www.fmmodelagency.com/ - FM - 020 7225 1355
http://www.hughesmodels12plus.co.uk/ - Hughes (12 ) - 020 8672 8494
http://www.girlmanagement.com/ - Girl Management - 020 7434 1180
http://www.imgmodels.com/ - IMG - 020 8233 6770

http://www.immmodels.com/ - IMM - 020 7610 9111
http://www.mandpmodels.com - M & P - 020 7734 1051
http://www.models1.co.uk/ - Models 1 - 020 7025 4900
http://www.modelplan.co.uk/ - Model Plan - 020 7287 8444

http://www.motmodel.com/ - MOT - 01442 863 918
http://www.needhamsmodels.com - Needhams Models - 07855 494678
http://www.nevs.co.uk - Nevs - 020 7352 9496
http://www.nextmodels.com/ - Next - 020 7251 9850

http://www.ordinarypeople.co.uk - Ordinary People - 020 7267 7007
http://www.oxygenmodels.com - Oxygen - 0207 351 2000
http://www.premiermodelmanagement.com - Premier - 020 7333 0888
http://www.profile-models.com - Profile - 020 7836 5282

http://www.ugly.org - Rage - 020 7262 0515
http://www.samanthabond.net/ - Samantha Bond - 020 7349 7223
http://www.sandrareynolds.co.uk - Sandra Reynolds - 020 7387 5858
http://www.selectmodel.com - Select - 020 7284 5655

http://www.stormmodels.com/ - Storm - 0207 376 7764
http://www.sugarbabes.com/ - Sugarbabes - 020 7836 1777
http://www.supermodeluk.com/ - Supermodel - 0870 4430 115
http://www.tessmanagement.com/ - Tess - 020 75577101

http://www.ugly.org/ - Ugly - 020 7402 5564
http://www.unionmodels.com/ - Union Models - 020 7613 0993
http://www.zone-models.com/ - Zone Models - 020 7297 2373

Outside London
http://www.adagemodels.net - Adage Models - Birmingham
http://www.bigmustard.co.uk - Mustard - Bristol
http://www.bossagencies.co.uk - Boss - Manchester
http://www.freshagents.com/ - Fresh - Brighton

http://www.gingersnap.co.uk/ - Gingersnap - Bristol
http://www.industrypeople.co.uk/ - Industry People - Manchester
http://www.themodelacademy.co.uk/ - The Model Academy - Derbyshire

http://www.modelteam.co.uk - Model Team - Glasgow
http://www.nemesisagency.co.uk - Nemesis - Birmingham, Leeds, Manchester
http://www.reanimator.co.uk - Reanimator - Brighton / London

Useful Contacts
Association of Model Agents - 020 7584 6466
http://www.albamodelinformation.com/ ALBA Model Information]]> http://whoistesting.com/blog_article.php?blogID=15